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It Is Ours- The ORANGE EP

by Darryl Dozlaw [with My Other Brother]

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  • 12" Orange Vinyl EP
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    It Is Ours- The ORANGE EP, pressed on 12" orange translucent vinyl. 45 rpm. Includes full colour insert and download card. Hand numbered.

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1.
It started with a vision that broke through one day and left me to question, to ponder, to pray. The medicine man stands silently, his back against a tree – bowing his head, tears of red I can see. Hey hey hey So many times I've heard myself say that the colonial fathers just left too much grey; but I spoke out of my ignorance and I spoke out of spite –
I betrayed how little privilege knows of the wrong side of the rights. But this is not my story, it is ours. This is not my story but it is ours. There are thousands around him all dressed the same with feathers and paint and pride to reclaim. But one by one they join in with the bowing and the tears and then as I watch, one by one disappears. Hey hey hey The truth of reconciliation keeps me up night after night – no longer in the dark and unprotected in the light. There's nothing like some words to paint a picture so true – those of survivors with nothing left to lose. See, no one scooped me from my home No one took my hope away No one sought to civilize me from my people's ancient ways No one broke my spirit with violence No one silenced me with fear of a coming retribution should I whisper in someone's ear. No one entrusted me to the underfunded and under qualified No one threatened my dear parents if they listened when I cried No one dragged me back to some hell when I made it into town No one whipped me when I tried to burn that- I tried to burn that madhouse down! But this is not my story, it is ours. This is not my story but it is ours. So I went to the museum and I took a look around but I was just another cowboy on an 'Indian burial ground.' I took a selfie in the designated spot having paid admission's price and the film was shown in German first so I saw the intro twice. Hey hey hey Heritage moments are complicated- so many bad deals. Pledges made are superficial but the brokenness is real. The faces in the photographs are vacant and forlorn though these residential doors were closed the year that I was born. But the blood on the soil cries out from the ground
And is dried by the same wind that carries away the sound... This is not my story, it is ours.
 This is not my story, it is ours.
 This is not my story, it is ours. It is ours. This is not my story but it is ours. [in Plains Cree...] 
“Watch the dancers as they dance 
 Dancers- start dancing” A little child came and sat beside me in the park with rainbows on her face and peace in her heart; and we listened to the music and we watched the dancers dance and I realized that reconciliation has a chance.
2.
Onimito 02:06
[in Plains Cree...]
 “Watch the dancers as they dance
 Dancers- start dancing”
3.
Tell me, where do we go from here? Is there an answer in the sky or will it always be the same? We do this and They do that and who knows where forgiveness lies or how long til the promised rain? It seems to me the R-word is a handshake in the dark: you put out your hand and hold your breath. But when everyone’s heard the story of the little child in the park, it’s clear just how much work is left And 
I am empty- I am aching 
I am searching for more words Sometimes crying or prophesying Or simply feeling yet unheard Old men will dream dreams Young men will see things
 Upon the day of Thunder’s return Good medicine words they speak Foretelling justice and peace For which all creation yearns Old men will dream dreams
 Young men will see things
 The smell of sweet grass all around
 Foot prayers and voices strong
 The drum gives shape to songs of healing Tears on my forehead- I am facedown on the ground. My shoulders start to shake. ‘Is there a place for me in this vision?’ I cry out like no one’s around as I feel my heart break For 
I am empty- I am aching 
I am searching for more words Sometimes crying or prophesying Or simply feeling yet unheard But 
I’m no fighter- no treaty writer 
I barely know my rights from my wrongs I’m no warrior- I’m no lawyer 
I pour my prayers into my songs

about



It Is Ours- a song written, performed live and eventually recorded in response to reading the Truth and Reconciliation Commission Summary Report- tells the story of a Canadian settler who, having grown up in a town that has been the location of a Residential School, comes to understand where his privilege has come from and who has paid for it.

The song is based on personal experience, and challenges listeners to work through the difficult reality that, while the Canadian Residential Schools tragedy may not feel like the personal story of many, it is the collective story of all.

The 3 song, 20 minute EP, recorded with a diverse group of musicians (7 Indigenous and 7 non-Indigenous), provides a lovely sonic picture of reconciliation. Engineered by newcomer Jazmyn Durocher, the record features musical collaboration with many celebrated Saskatoon musicians including Lancelot Knight, Krystle Pederson, Wyndham Thiessen, Anna Bekolay, Shayne Lazarowich and others. However, the presence of Indigenous flute, hand drum and vocables performed by Plains Cree flute player and singer Darrell Paskimin- as well as an original Paskimin powwow song performed by a circle of singers organized by Paskimin himself- make this a recording that transcends genre descriptors. Perhaps this is what nu-folk music sounds like, moving forward: a music created by a heterogenous people actively pursuing reconciliation together for the inspiration and encouragement of others pursuing the same.

All of the tracks were recorded at Recording Arts Institute of Saskatoon, with all performances and production for the record being donated so that all proceeds from this recording could go to the SPS Indigenous Ensemble- a mentorship program for indigenous youth who seek to explore and embrace their cultural identity through traditional singing, dancing, regalia, performance and the teachings that give these deeper meaning.

Grateful thanks to: Darrell for trusting in this work and sharing his gifts; Hunter, Lancelot and Krystle for insight; Donny and the SPS Indigenous Ensemble for such generous welcome and warm collaboration; all the musicians for donating their performances; RAIS for time and place; Jazmyn for tireless commitment to getting it right; Riversdale Neighbours church for prayer, support and partnership.
Hiy hiy

credits

released September 30, 2019

Created on Treaty 6 Territory

Darryl Dozlaw- voice, guitars, piano, mandolin, bass guitar, shakers

My Other Brother:
Darrell Paskimin- flute, voice, hand drum
Lancelot Knight- voice, electric guitar
Shayne Lazarowich- electric guitar
Wyndham Thiessen- cello
Anna Bekolay- violin
Nicholas McCormick- bass guitar
Shane Buhler- drums
Krystle Pederson- voice
Jazmyn Durocher- voice
Evan Wegner- voice

Powwow Singers:
Hunter Blassingame- voice, drum
Darrell Paskimin- voice, drum
Donny Speidel- voice, drum
Matthew Whitecloud- voice, drum

"a neighbourhood record"

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Darryl Dozlaw Saskatoon, Saskatchewan

Darryl Dozlaw is a Saskatoon (Treaty 6) singer-songwriter/ multi-instrumentalist. He records as Bewildernest (a collaborative, genre-nonspecific electronic recording context) or simply under his own name for singer/songwriter oriented material. Dozlaw also writes and plays as a member of Oscar's Hollow (Saskatoon based alt-country rock band). ... more

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